Benjamin Verdery: From Cello To Guitar


Benjamin Verdery – JS Bach: Sarabande

By Miche Archetto:

J.S. Bach’s music is often referred to as sort of “pure music”, meaning a music that can be played on any instrument. I agree with this point of view, and Benjamin Verdery’s transcriptions of cello suites for nylon guitar are a living proof of it.

Described as “iconoclastic” and “inventive” by The New York Times and “one of the classical guitar world’s most foremost personalities,” by Classical Guitar Magazine, Benjamin Verdery enjoys an innovative and eclectic musical career.

Since 1980 Benjamin Verdery has performed worldwide in theatres and at festivals, including Theatre Carré (Amsterdam); the International Guitar Festival (Havana, Cuba); Wigmore Hall (England); the 92nd Street Y, the Chamber Music Society of Lincoln Center and the Metropolitan Opera (NYC). His tours regularly take him to Canada, Europe, Asia and throughout the United States. He has recorded and performed with such diverse artists as Andy Summers, Frederic Hand, William Coulter, Leo Kottke, Anthony Newman, Jessye Norman, Paco Peña, Hermann Prey and John Williams. Several composers have composed music for him including Ezra Laderman, Martin Bresnick, Daniel Asia, John Anthony Lennon, Ingram Marshall, Anthony Newman, Roberto Sierra, Van Stiefel and Jack Vees. Of particular note was the commissioning by the Yale University Music Library of a work by Ingram Marshall for classical and electric guitars. Benjamin and Andy Summers premiered Dark Florescence at Carnegie Hall with the American Composers Orchestra and at the Belfast Festival (Ireland) with the Ulster Orchestra.More on his website


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