Robbie Basho: Rare Video
By Jim Weaver:
This is a very rare video of the late guitarist Robbie Basho. I particularly liked one of the comments: “He looks like a high school science teacher” He does remind me of Trace Bundy. Wiki biography follows:
“Basho was born in Baltimore, Maryland, and was orphaned as an infant. Adopted by the Robinson family, Daniel Robinson, Jr. attended Catholic Schools in the Archdiocese of Baltimore and went on to study at the University of Maryland College Park. Although he played the euphonium in the high school band and sang in middle school and high school ensembles, his interest in acoustic guitar grew during his college years, as a direct result of his friendships with fellow students John Fahey, Ed Denson, and Max Ochs. In 1959, Basho purchased his first guitar and immersed himself in Asian art and culture. It was around this time that he changed his name to Basho, in honor of the Japanese Poet, Matsuo Basho.
Basho’s vision was to see the steel string as a concert instrument and to create a Raga system for America. During a radio interview in 1974, promoting his album Zarthus, Basho discussed his music in detail. He described how he had gone through a number of “periods” related to philosophy and music, includingJapanese, Hindu, and Native American. Zarthus represented the culmination of his “Persian period”. Basho asserted his wish, along with John Fahey and Leo Kottke, to raise the steel-string guitar to the level of a concert instrument. He acknowledged that the nylon-string guitar was suitable for “love songs”, but its steel counterpart could communicate “fire”.
Basho credited his interest in Indian music to hearing Ravi Shankar, whom he first encountered in 1962. Basho died unexpectedly at the age of 45 due to a freak accident during a visit to his chiropractor, where an “intentional whiplash” experiment caused blood vessels in his neck to rupture, leading to a fatal stroke.[2][3]
Robbie Basho’s dexterous, finger-picked guitar technique was influenced heavily by Sarod playing, and the studies he undertook with the Indian virtuoso Ali Akbar Khan. Basho employed unusual open tunings, including a number of variants on “Open-C” (CGCGCE) and played a 12-string guitar, in order to recreate the drone that is a notable feature of his beloved Indian Classical Music. Basho’s guitar melodies were often created using Eastern modes and scales, but his work contains a broad range of noticeable influences, from European Classical Music to Blues (in his earlier period) and Ballad styles of America.”
Discography
- 1965 The Seal of the Blue Lotus (Takoma)
- 1966 The Grail & the Lotus (Takoma)
- 1966 “Contemporary Guitar” (Takoma)
- 1967 Basho Sings (Takoma)
- 1967 The Falconer’s Arm I (Takoma)
- 1967 The Falconer’s Arm II (Takoma)
- 1969 Venus in Cancer (Blue Thumb)
- 1971 Song of the Stallion (Takoma)
- 1972 The Voice of the Eagle (Vanguard)
- 1974 Zarthus (Vanguard)
- 1978 Visions of the Country (Windham Hill)
- 1979 Art of the Acoustic Steel String Guitar 6 & 12 (Windham Hill)
- 1981 “Windham Hill Sampler ’81” (Windham Hill)
- 1981 Rainbow Thunder: Songs of the American West (Silver Label Recordings)
- 1982 “Basho’s Best” (Basho Productions)
- 1983 Bouquet, MC (Basho Productions)
- 1984 Twilight Peaks, MC (The Art of Relaxation)
- 2007 “Indian II” (Vanguard)
- 2008 Bonn Ist Supreme, CD Live! (Bo’Weavil Recordings)
- 2013 ” Visions of the Country ” (Gnome Life Records VINYL reissue 2013)
Author: Robert Harris
